v4w.enko & D'incise ?– 27.08.2011 [album / digital]

 


Label:
Resting Bell;
#:
RB105;
Format:
2*soundFile mp3-320, 4*Digital artwork files;
Country:
Germany;
Released:
28 Mar 2012;
Genre:
Electronic;
Style:
Experimental, Ambient, Generative, Electroacoustic;

v4w.enko & D'incise - "27.08.2011"


Digital artwork list:

# name/preview extension resolution
    ...    
File1. rb105_27-08-2011_back_big jpeg 1476*1476px  
  rb105_27-08-2011_back_big-200      
File2. rb105_27-08-2011_back_full jpeg 1535*5461px  
   rb105_27-08-2011_back_full-200      
File3. rb105_27-08-2011_front_big jpeg 1476*1476px  
   rb105_27-08-2011_front_big-200      
File4. rb105_27-08-2011_front_full jpeg 1535*5461px  
   rb105_27-08-2011_front_full-200      

 

 Notes:


“27.08.2011” is a live recording done by two great artists v4w.enko & d’incise. The release consists of two tracks, 20 and 35 minute long, recorded on August 27th, 2011 at Tivoli 16, Geneva. The basis of this work is made with v4w.enko’s algorithmic forms which are confronted to concret gestures by d’incise. The result is a sublime piece of improvisational work, combining deep drones and soundscapes with live treatments of various objects & contact mics.

 Conception notes:


Two spaces, two languages, two focal points, getting so close as synthetical and natural, but never touching. The first space is black & white, minimal and symbolic. It talks about the beauty of color inside the sound and complicated structures but it has not colors in itself. It is a sort of counterpoint, a reference, a cold therory demonstration, a base of reflexions. The second space could show colours of structures and physically complicated sounds. The rules that generate them might be very complex, and though unnecessary to be explain. The human perception comes first, on it’s own, at this level. The first space is more unpretentious and selfgenerateed, the second requires more finely tuned work to take form. But in the end the two spaces are not in conflict. None has more value than the other. They happen separately and simultaniously. The sound reflects this relation, a contrasted proposition between automatic processiong, fixed layer, digital and physical.

 

 Structure:


Live audio in the real time. Live treatments of various objects & contact mics. Max/msp code in algorithmical sounds.

Credits


All tracks written and produced by v4w.enko & d’incise. Recorded at Tivoli 16, Geneva – 27.08.2011

Music: v4w.enk0: laptop, algorithmic syntesis; d’incise: laptop, objects
Artwork: v4w.enko & d’incise

(c) 2009

 

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